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TRENDING: MASCULINITY AND MANIPULATIONS DOMINATE

Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...

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SEEN ROMANTIC LOVE IN B-TOWN, ANY ONE?

It has been said that the history of cinema is also a history of exciting, adventurous and celebrated love affairs. Dead right. And for excelle...

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REMEMBERING THE UNFORGETTABLE SMITA PATIL

Manojit Lahiri pays tribute to Shyam Benegal’s smoldering discovery, the only Asian cine-star who had the honor of a Ret...

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MY LIST OF THE MOST POWERFUL PEOPLE OF 2023: VINTA NANDA

In a world dominated by mainstream narratives and established structures, the celebration of independent art, business, social work, and litera...

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THE UNFINISHED BATTLE FOR EQUAL RIGHTS IN INDIA 2023 BY GEETIKA TYAGI

Throughout history, several pivotal events have spotlighted the persistent struggle for gender equality, unmasking the enduring challenges that...

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THESE CHAMPIONS OF A MODERN INDIA INSPIRED ME IN 2023: RADHIKA KHERA

I, Radhika Khera, will unveil India's modern visionaries, who advocate day after day and against all odds, for the nation that was imagined by ...

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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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RAJ KAPOOR AND MY SON

Raj Kapoor’s 99th birth anniversary was on the 14th December. Kamlesh Pandey recalls the influence...

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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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